• Home (Essays upon S. Beckett's theatre)
• Beckett's theatre : the character as a philosopheme
• Did Samuel Beckett find the inspiration of Happy days in Un Carnet de bal by Julien Duvivier ?
• How and why Samuel Beckett deceived the critics of Waiting for Godot
• Samuel Beckett stripped bare by his authors, even
• Samuel Beckett's Endgame : against Hegel's Phenomenology of Mind
• The end of Art and the Advent of a money-governed world in Waiting for Godot 
• "Life : a game that always gets lost." For Endgame, Samuel Beckett got the idea from the French critic Sainte-Beuve. 
• Endgame: Beckett and Aristotle
• Evil in Beckett's theatre
• Master and disciple in Beckett's theatre
• Waiting for Godot: Beckett and Proust
• Wainting for Godot and The Temptation of Saint Antony (Flaubert)
• Beckett's Miscellanies

Gérard Piacentini :
"Le problème du mal dans En attendant Godot et Fin de partie",
Revue d'histoire du théâtre, n°2, 1992, pp. 146-161

(Evil in Waiting for Godot and Engame)

In Beckett's Waiting for Godot, Pozzo tortures Lucky to have a feeling of (false) strength. In Endgame, Nell hates Hamm, his son, because she had dreamed of eternal romance and was deeply disappointed by marriage… Clov both loves and hates Hamm who never minded him when Clov needed a father… Hamm, too, has been very unkind with Clov and Pegg because of his egoism… In Endgame, Evil is a result of stupidity and selfishness.